Today I want to write about a couple of processing operations that are specific to 2D. Symmetry is the first example that comes to my mind. In homo-nuclear correlation spectroscopy, we expect that the two halves of the map, divided by the main diagonal, are the mirror image of each other. They aren't for a couple of reasons:
- The line-widths along the indirect dimension are generally larger.
- The t₁ noise is specific to t₁, as the name says.
The software can force the two halves to be the same. Every couple of corresponding points is compared. The point with the lowest absolute value is the "correct" point; the point with the highest absolute value is replaced. In the case of J-resolved spectra, the axis of symmetry is different, but the principle the same.
After the substitution, the resulting shape of the peaks is that of a pilaster, instead of a column. I prefer the original shape, but in many cases the advantages are overwhelming. My rule is easily stated: I symmetrize all my COSY. Both the COSY experiment and symmetrization looks terribly old and out of fashion, but they are so simple and fast (I mean: the gradient enhanced variant), that I always acquire a COSY, if I must acquire another 2D of the same sample. The COSY comes almost for free. They say that symmetrization might create false cross-peaks. This is right, yet it's a rare event and not a dangerous one. If you have some experience you can usually recognize the false cross-peaks. If you haven't, you can compare the symmetrized and unsymmetrized versions of your COSY. It takes a few seconds.
I don't symmetrize my phase-sensitive spectra, unless the noise is exceptionally intense. In the phase-sensitive case I feel that the original shape of the peaks carries precious information (like a fingerprint), and that a baseplane correction is enough to clean the spectrum. You can combine baseplane correction and symmetrization, only in this order. Another trick, which Carlos taught me, can remove the "t₁ noise". Actually it's a modification of the baseplane correction and it's more an aesthetic trick than an operation to clean the spectrum. Tomorrow I'll describe my personal implementation of it.
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